Writing and Shit – part 44 – Who is reading? Who is listening?

You’re writing something – anything. Who is doing the reading or listening? I’m asking you. Your answer to this may be offhand – Well, whoever happens to pick up or download my story. But even this seemingly simple answer has consequences. In addressing an extremely generalised audience, you will still make guesses about what they […]

Writing and Shit – part 37 – Writing, fast and slow

Cast your mind back to the recent and the twenty year-old books I asked you to pick out and read – it’s very likely that within the first five or ten pages of the recent one more takes place, and what does happens is faster. Scenes in movies have become shorter, scenes in stories have […]

Writing and Shit – part 30 – The horror! The horror!

Let’s spend a moment examining what story-time means for one particular genre: horror. (Some generalisations follow. Not all horror novels may conform, I realise.) The story-time of a horror novel depends upon a specific form of suspense, namely dread. Horror novels are dread-ful. But we can subdivide them in terms of microgenres, in terms of […]

Writing and Shit – part 27 – Come on, that’s just not realistic

BUT THAT JUST WOULDN’T HAPPEN – IT’S NOT AT ALL REALISTIC Oh dear. It’s like Mr But has taken over the section titles. He’s making a bid for total power. Mr But has more to say. I’m going to let him speak for as long as he wants: You’re taking examples from Hollywood movies – […]

Writing and Shit – part 24 – What the hell is exposition?

Writers are usually much better at spotting, and mocking, exposition in the work of other writers. In their own work, sections of disguised address to the reader (a.k.a. info-dump) are simply jobs that have to be done, one way or the other. It is a truth of writing that sometimes the ugly way is the […]