We’re now going to look at some ways you can work on making the people you write about feel real and, if it’s what you need, likeable. PEOPLE? It might be easier to start referring to them as characters, but I’m going to stick with people, so as to keep them on the same level […]
STORIES VS TALES Warning: The picture I am about to draw is in crayon rather than in single hair brushstrokes. However, the overall picture is the important thing, and even more so where you appear in it. (And Mr But will have plenty of opportunities to speak up.) When I say ‘story’, in this context, […]
The first thing you need to write a novel is… Time. The second thing you need to write a novel is… More Time. And the third thing you need to write a novel is… Even More Time. This perhaps seems a bit obvious. But let me explain. Time, More Time and Even More Time are all necessary. […]
Ciaran Carson, the Belfast poet, died earlier this week. I knew him a little bit, and admired him immensely. The one time I went to dinner at his house, he was editing The Yellow Nib, a literary magazine. As we ate, we talked about music. He was a professional – could pick up a penny whistle […]
Most of the examples I have given so far have been quite straightforward, unsubtle. The idea of the runaway bride, although something you might be happy to gossip about, may be the kind of on-the-surface, twisty story that you would never allow yourself to write. But I think that the idea of Story-Time, and of […]
I’d like to move on from my two definitions of a story, but do keep your marked up story-start because we’ll be going back to it. I have tried very hard to find another way to talk about this next bit that avoids the phrase ‘Story-Time’. It has associations – not bad associations – of […]
For a long while, Patience was going to have an epigraph – on the first page of the novel; before ‘1979’ and ‘Please be patient with me’. But I cut it. It was this Franz Kafka aphorism: There are two cardinal human sins from which all others derive: impatience and indolence. Because of impatience they […]
Lawrence is one of the easiest writers to dismiss, and one of the hardest to get away from. He seems – from a rational point of view – so often and so obviously nuts. And there’s a way of reading him that brackets the ‘obviously nuts’ parts, and enjoys him as if he […]
