STORY TIME REDUX We’ve already begun to think about stories and time and how they fit together, how they are sometimes the same thing – story-time. Not all story-times are the same. And this is where I would like to propose a different way for you to think about your own writing, and a different […]
Here is a non-story. A waiter works in the café at the top of the Eiffel Tower in Paris. Every smoking break, he goes and looks at the view. Afterwards, he goes back inside the café and continues serving customers. Here is a story. An old Korean woman who lives in North Korea has a […]
BUT THAT JUST WOULDN’T HAPPEN – IT’S NOT AT ALL REALISTIC Oh dear. It’s like Mr But has taken over the section titles. He’s making a bid for total power. Mr But has more to say. I’m going to let him speak for as long as he wants: You’re taking examples from Hollywood movies – […]
WHAT IS A SCENE? Or, more usefully – WHEN IS A SCENE? Going back to our Winning dialogue, in which two people are both trying to win the argument, and so win the scene – there are only a very few ways this can play out. Underdog defeats Top Dog and becomes Top Dog (Change) […]
I wrote this for a panel event at Birkbeck College. The brief was to write about ‘A Book that Change my Life (Involving Critical Theory)’. It was intended for the MPhil and PhD students attending, but is about how early work relates to completed work, within individual projects but also within lives and oeuvres. If […]
King Death Life-Like Lilian’s Spell Book (My Mother’s Seven Spirits Demand Justice) Notes for a Young Gentleman (O: Short Stories) Patience Mutants Wrestliana Dead Boy Detectives Vol 1: Schoolboy Terrors Dead Boy Detectives Vol 2: Ghost Snow Free Country: A Tale of the Children’s Crusade Vastation (opera) with Samy Moussa Toby (album) […]
Pushing further away from expositional dialogue, we come to what I call ‘hip’ dialogue. Hip-speech is a version of slang, similar to criminal slang – it is a way of communicating without fear of being overheard and understood. The jazz musician Lester Young came up with or popularized a lot of hip language – language […]
Now that you’ve had a go at the three models of dialogue, you may be thinking I have horribly oversimplified the complexity of how people talk to one another. Good. Now it’s time to think about how to do better. Mr But: And you said you were going to mention other possible models of dialogue. […]
‘I’m usually waiting for you to stop talking, so that I can. Concerning two-way streets I have to say that I am not a fan.’ The American songwriter, John Grant, nails Ignoring dialogue in his song ‘GMF’. GMF stands for ‘Greatest Mother Fucker’ – and this is also helpful to me in defining Ignoring conversation, […]
