BUT THAT JUST WOULDN’T HAPPEN – IT’S NOT AT ALL REALISTIC Oh dear. It’s like Mr But has taken over the section titles. He’s making a bid for total power. Mr But has more to say. I’m going to let him speak for as long as he wants: You’re taking examples from Hollywood movies – […]
WHAT IS A SCENE? Or, more usefully – WHEN IS A SCENE? Going back to our Winning dialogue, in which two people are both trying to win the argument, and so win the scene – there are only a very few ways this can play out. Underdog defeats Top Dog and becomes Top Dog (Change) […]
Pushing further away from expositional dialogue, we come to what I call ‘hip’ dialogue. Hip-speech is a version of slang, similar to criminal slang – it is a way of communicating without fear of being overheard and understood. The jazz musician Lester Young came up with or popularized a lot of hip language – language […]
Writers are usually much better at spotting, and mocking, exposition in the work of other writers. In their own work, sections of disguised address to the reader (a.k.a. info-dump) are simply jobs that have to be done, one way or the other. It is a truth of writing that sometimes the ugly way is the […]
Now that you’ve had a go at the three models of dialogue, you may be thinking I have horribly oversimplified the complexity of how people talk to one another. Good. Now it’s time to think about how to do better. Mr But: And you said you were going to mention other possible models of dialogue. […]
ALL BY YOURSELF One of the biggest faults in stories by less experienced writers is that they are about extremely isolated people – people who start off by being isolated and don’t end up making much contact with others. This is not, in itself, a bad idea. There have been many wonderful stories about people […]
SYMPATHETIC CHARACTERS The following bit is really only for you if you want to write popular fiction – although, if you are aiming for something that sells less well you might be interested in discovering something about the dark arts. I will have to flip over to discussing characters, because the phrase everyone uses is […]
Most of the examples I have given so far have been quite straightforward, unsubtle. The idea of the runaway bride, although something you might be happy to gossip about, may be the kind of on-the-surface, twisty story that you would never allow yourself to write. But I think that the idea of Story-Time, and of […]
For a long while, Patience was going to have an epigraph – on the first page of the novel; before ‘1979’ and ‘Please be patient with me’. But I cut it. It was this Franz Kafka aphorism: There are two cardinal human sins from which all others derive: impatience and indolence. Because of impatience they […]
I am now going to give you a second definition of a story that, I hope, will from now on, forever after, make it easier for you to write stories that don’t just start but that go on through exciting, intensifying middles and reach satisfying, unpredictable ends. The second definition doesn’t undermine or contradict the […]
